Each X/Y pad has 22 algorithm options and an individual blend control. Two phase distortion and two waveshaper pads, one in each oscillator, allow a huge breadth of control over the sound that comes out. That is already a ton of control, but the secret sauce in Rob Papen’s QUAD are the four 100×100 X/Y pads that augment the two oscillators. Lastly, the second oscillator can be chained to and modulated by the first. Each oscillator also has a sub-oscillator that adds a sine or square wave adjusting the Sub knob to the left or right fades the extra waveform in a range from -39dB to 0dB. In addition, each oscillator can be ‘spread’ to add multiple-oscillator sounds, and emulated analog drift can be added. The oscillators can be tuned in octaves, semitones, and with a fine-tuning knob. Some of my favorite presets were ‘Tof Bass,’ ‘Disintegration’ and ‘LikeJupiter.’ OscillatorsĮach of the two oscillators in Rob Papen’s QUAD has the standard sine, square, triangle, saw, and noise options, plus dozens more including Half Sine, Sine Square, and Spectral and Additive Waves. Preset categories include Dubstep, Ambient, Trance, Pads, SFX, Basses, and myriad others. (I’ll have to take their word for it because it’s certainly too many to count.) There’s something for everyone in here, from arps to pads and everything in between. QUAD comes with an enormous library of presets – over 750 according to the Rob Papen website. That may be a challenge with QUAD, as it has an extremely large feature set. ![]() I make an effort in my reviews to be as succinct as possible without glossing anything over. Getting this much control in a single screen isn’t easy, so QUAD gets high marks in this department. ![]() On the bottom are two envelope controls, two low-frequency oscillators, and an arpeggiator. Below that are two oscillators, each with its own independent phase distortion and waveshaper X/Y pads.įlanking to the right are the dual filters and amp controls, and below are the modulation and effects controls. On top is the preset loader and button for the preset manager, while clicking on the QUAD logo takes you to the settings menu. Rob Papen’s QUAD packs a whole lot of knobs, sliders and buttons into one interface. I spent a week with QUAD, played around with each of its modules and sampled hundreds of presets. Originally created as an add-on plugin for Reason and Reason Rack, Rob Papen’s QUAD has now been released in VST, AU, and AAX plugin formats for use in every other DAW. Choosing the Best Digital Audio Workstation for your Home Studio.Best Acoustic Treatments for Home Studio 2021.Best MIDI Drum Pads for Home Studio 2021.Best MIDI Control Surfaces for Home Studio 2021.Best MIDI Keyboards for Home Studio 2021.Best Audio Interfaces for Home Studio 2021.Fixing Up a Vintage Reel-to-Reel Tape Recorder.How To Build a Studio Guitar with 48 Tones.How to Calibrate Your Studio Monitors with Sonarworks Reference 4 Studio.Synths and Virtual Instruments Menu Toggle.Audified AmpLion 2 Rock Essentials Review.Original text and translations may be found at Adam lay ybounden. ![]() ĭescription: For unison voices or solo treble/soprano/tenor.Įxternal websites: Original text and translations Score information: A4, 2 pages, 48 kB Copyright: CPDL Edition notes: Sibelius file retrieved through. See the discussion page for full description.Įditor: Andrew Crookall (submitted ). Score information: A4, 2 pages, 40 kB Copyright: CPDL Edition notes: Score revised 24/9/06. Score information: A4, 2 pages, 45 kB Copyright: Public Domain Edition notes: Transposed down a minor third (A minor), to a more suitable range for altos and basses.Įditor: Robert Nottingham (submitted ). ![]() Music files L E G E N D Disclaimer How to download ICONĮditor: Ross Jallo (submitted ).
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